In many ways this project shares the logic of a Russian matryoshka doll. Not only in the most literal, physical sense, in which one thing is directly incorporated into another, but also in a temporal sense, in which one actually originates within the other. The initial circumstances of this project established a favorable backdrop for this condition: An emergency project. The Red Bull Music Academy Madrid 2011: The Red Bull Music Academy (RBMA) is a nomadic annual music festival. For the last 14 years, this event has been held in a different world city, welcoming the sixty pre-selected international participants and surrounding them with musicians, producers, and DJs, thereby giving them the opportunity to experiment with and exchange knowledge and ideas about the world of music. The 2011 edition of RBMA was going to be held in Tokyo, but given the devastating effects of the earthquake, the location had to be changed. With only five months to plan, the city of Madrid took over. The creative space known as Matadero Madrid, which is located in an early 20th century industrial warehouse complex, was designated as the event’s new location. A medium-term project, The Nave de Música in Matadero Madrid. The RBMA launched the programming for the new Nave de Música (music warehouse), a space specifically dedicated to audio creation and research. Using the existing installation as a starting point and given its experimental character, the construction project was approached as a temporary structure based on the criteria of adaptability and reversibility that would make it easy to completely or partially reconfigure over time. Under these circumstances and in an emergency situation, the work began on an infrastructure capable of meeting the precise technical and acoustic needs of the event, in addition to accelerating, promoting and enriching a series of extremely intense artistic encounters that would take place between the participating musicians, while at the same time adding an environment that would record and archive everything taking place.
As a result, the project unfolded in the warehouse’s interior in the form of a fragmented urban structure in which the variable relationship between proximity and independence, and preexistence and performance could offer unexpected stages to its community of inhabitants.
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